Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenor Roberto Alagna as her lover, Don José. Louis Langrée conducts for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production, featuring a dazzling 18th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time in five seasons to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love.

In what should be a highlight of the new season, soprano Anna Netrebko sings her first Met Aida, going toe-to-toe with mezzo-soprano Anita Rachvelishvili as Amneris. Tenor Aleksandrs Antonenko sings as Radamès, and Nicola Luisotti take the podium for the Met’s monumental production.

Though he knew he captivated the hearts of many girls, he loved the pure and lovely Du Yunyan. The young couple was deeply in love with each other. They spent most of their time together boating and going to places. However, Yunyuan‘s father believed that Danping was insincere and did not approve of him. He even forced Yunyan to marry a rich and powerful man. And in order to make Yunyan gave up, the rich man jailed Danping, tortured him, then set fire on the theatre to burn him to death. Yet, never was there anything greater than love. When you held true the belief that your loved one was still alive, you would give all you have unconditionally and waited forever if you have to. No matter how ugly and sick he became, you would still want to see him and have him back....

A rainstorm compelled LING Choi Sin to trespass Lan Po Temple for a night on his way to Kwok Pak Village collecting debts. In the middle of the night, LING is awakened by the bewitching music played by the feminine and attractive LIT Siu Seen. LING is unaware that the resident Taoist Monk YIN Chek Hsia has impeded LIT's murder attempt. Despite YIN's objection, the young couple are madly in love and decided to run away from the monastery......

This is a story about Rick (starring Leslie Cheung), a shooting and gun enthusiast who looks cool and handsome. A top shooter at IPSC (“practical shooting”) competitions, he is a professional gunsmith. He makes friends with the top notch of police force, including CIDs officer Miu (starring Alex Fong) and office Joe (starring Joe Cheung Man-kwong), as well as forensics detective Vincent (starring Vincent Kuk).

Sung Tse-ho and Mark are blood brothers in the Triad. Ho's own brother, Tse-kit, is a policeman, and Ho leads a double life. Ho is in Taiwan for a counterfeit money deal when local gangsters ambush him. His right-hand man, Tam Shing, betrayed him. Mark goes to Taiwan to take revenge for Ho, but is wounded and becomes a cripple. After serving three years in a Taiwan prison, Ho returns to Hong Kong hoping to start a new life, but his brother Kit still distrusts him. Ho sees Mark, who has become a bum, opening the car door for Shing, who is now the headman of a gang. Shing wants Ho to become a gangster again, but Ho refuses. Shing then sets a trap for Kit and beats Mark to within an inch of his life. Mark also hopes to pair up with Ho again and make a comeback, but is turned down by Ho. Mark then goes alone to Shing's lair to take the plate for making counterfeit money. Ho can't stop himself from helping Mark. He asks Shing out for a meeting and at the same time mails the plate to Kit. At

The Bride With White Hair is one of the most enduring love stories in Chinese literature. The story takes place during the last years of the Ming Dynasty in the legendary Wudang Mountain. Zhuo Yihang is a young Knight of Wudang, who shines with great talent in martial arts. Well loves by his master Ziyang, the young boy also possesses a rebellious spirit. One day, Zhuo secretly leaves the Wudang fortress to play outside. By mistake, he trespasses into the zone of the Mo, a deviant cult that rival to the Wudang. The boy is set upon by a pack of wolves but is saved by a longhaired girl who sings a folk song to placate the wolves. The most formidable of their opponents in none other than the master of the Mo cult, Ji Wushuang, Ji has super-nature power which allows him to transmute between male and female genders.

Set in 1960, the film center of the young, boyishly handsome Yuddy (Leslie Cheung), who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she refuses to divulge the name of his real birth mother. The revelation shakes Yuddy to his very core, unleashing a cascade of conflicting emotions. Two women have the bad luck to fall for Yuddy. One is a quiet lass who works at a sport arena named Su Lizhen (Maggie Cheung), while the other is a glitzy showgirl named Mimi (Carina Lau). Perhaps due to his unresolved Oedipal issues, he passively lets the two compete for him, unable or unwilling to make a choice. As Lizhen slowly confides her frustration to a cop named Tide (Andy Lau), he falls for her. The same is true for Yuddy's friend Zeb (Jacky Cheung), who falls for Mimi. Later, Yuddy learns of his birth mother's whereabouts and heads out to the Philippines.

Rouge stars Leslie Cheung (Farewell My Concubine) as Chen, the never-do-well son of a wealthy and powerful family, who defiantly falls head over heels in love with prostitute Fleur (Anita Mui) in the 1930’s. Disowned and despised, the hopeless couple makes a suicide pact – but Chen finds himself unable to carry through with it. Fleur’s pining spirit returns to the thriving Hong Kong 50 years later and finds Chen a withered has-been old-timer, suffering the humiliation of a parasitic and destitute existence. With time running out, Fleur faces her last chance to test Chen’s devotion. Passionate, moving, and exquisitely executed, Rouge is a must for all those who live for cinematic excellence.