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2D Transformers: Rise of the Beasts
127 Minutes
Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 8, 2023.
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[2D IMAX with Laser] Transformers: Rise of the Beasts
127 Minutes
Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 8, 2023.
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[2D MX4D] Transformers: Rise of the Beasts
127 Minutes
Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 8, 2023.
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3D Transformers: Rise of the Beasts
127 Minutes
Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 8, 2023.
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[3D IMAX with Laser] Transformers: Rise of the Beasts
127 Minutes
Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth. Directed by Steven Caple Jr. and starring Anthony Ramos and Dominique Fishback, the film arrives in theatres June 8, 2023.
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The Flash
144 Minutes
Warner Bros. Pictures presents “The Flash,” directed by Andy Muschietti (the “IT” films, “Mama”). Ezra Miller reprises their role as Barry Allen in the DC Super Hero’s first-ever standalone feature film.

Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Su
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Keep Your Right Up (Cine Fan)
81 Minutes
Constructed in three sections which intercuts throughout, the vignettes show The Idiot (played by Godard himself), a filmmaker who is offered the chance to be forgiven for all his past sins if he can create, produce and release a feature film from scratch in 24 hours, the French techno-pop duo Les Rita Mitsouko looking for the right sound for its new record, and ‘The Individual’ in search of Utopia wondering if he is on the wrong planet. Godard describes this offbeat comedy as ‘the camera versus landscapes over 17 rounds.’ Appropriately, the film’s title is a phrase used by trainers in boxing.
Tokyo International Film Festival: In Competition
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The Kids Play Russian + JLG/JLG - Self-Portrait in December (Cine Fan)
115 Minutes
In an attempt to define the birth of fiction and cinema in the wake of the Cold War, Godard employs fictional characters like Anna Karenina to analyse the reality and ask a basic question: Why does the West want to invade Russia. One of Godard’s rarely-seen films, made as an exercise and a variation in the midst of producing the expansive episodes of Historie(s) of Cinema, The Kids Play Russian is a requiem that uses its narrative as a mere pretext for the montage of footage from Russian cinema giants, ranging from Eisenstein to Tarkovsky, to mesmerising effects.
‘Self-portrait, not autobiography.’ Godard reminds us in this melancholic and comedic retrospection before the completion of his magnum opus, Historie(s) of Cinema. Leafing through a notebook containing his thoughts and quotations, Godard meditates on his childhood portrait, noting his early inclination towards mourning, and offers philosophical musings on the meaning and nature of cinema in relation to history and memory.
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Woe is Me (Cine Fan)
95 Minutes
Though subtitled ‘A Proposition for the Cinema,’ at its heart, the film is a quest for spiritual meaning – a search for man's relationship to God and God's to man. Inspired by such lofty sources as Leopardi’s text about the anguish and pain of life’s journey, and the Greek myth of Alcmene and Amphitryon about the desire of a god to feel human desire, the film sees Depardieu as Simon, who is occupied by God to experience physical love with his wife. He meets various people, mere mortals who have no interest to know immortality. The film is confounding, challenging but also possesses a puckish, sober and ruminative quality.
Venice Film Festival: In Competition
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For Ever Mozart (Cine Fan)
84 Minutes
"Godard addresses the war in Sarajevo and Europe's responsibility by questioning the capacity for art to intervene. Preparing for a movie that addresses history's tragic repetitions, the aged filmmaker Vicky Vitalis accompanies his young daughter and nephew on their idealistic quest to mount a play by Alfred de Musset in war-torn Sarajevo. On their way, however, the youngsters are abandoned by Vitalis to face a tragic outcome. Guiltridden, Vitalis attempts to recreate the tragedy on film, only to be faced with its box-office failure. Meanwhile, Mozart's music lives on at a youth concert nearby.
Venice Film Festival: Filmcritica Award"
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In Praise of Love (Cine Fan)
97 Minutes
"Returning to Paris and shooting in monochrome, Godard tells the story of Edgar, an artist working on a project about how love evolves at different stages in life. Multiple love stories unfold through Edgar's project and his relationship with ‘Elle’ (‘Her’), a working-class intellectual who opposes her grandparents selling the true story of their involvement in the French Resistance to Hollywood producers. Reversing conventional expectations, an extended flashback that details Edgar's initial encounter with ‘Elle’ in Brittany is shot in colour on digital video, as Godard meditates on love, resistance, and the past as both memory and history. Cannes Film Festival: In Competition"
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Our Music (Cine Fan)
80 Minutes
Godard returns to Sarajevo with a question that has long haunted him: what role can artists and intellectuals play when they intervene in politics and history? With a threepart structure borrowed from Dante, Godard first depicts war (‘Hell’) with a montage of found footage, before taking us to post-war Sarajevo (‘Purgatory’) and a cultural conference presided over by Godard himself and other reallife poets and thinkers, where we are introduced to the film's young protagonists Judith and Olga – a journalist and a film student – who choose opposite paths towards changing society. A coda (‘Paradise’) ironically considers the aftermath of martyrdom.
San Sebastián International Film Festival: FIPRESCI Prize
18/6(Sun): Film talk with Derek Lam
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ANPANMAN: Dororin and the Transformation Carnival
62 Minutes
The scene is set at the Transformation Carnival! It's a fun festival held in Obake Town, a charming and delightful city of ghosts, where anyone can shapeshift into anything! Children thoroughly enjoy this colorful and exciting Transformation Carnival as much as they would an amusement park. However, a ghost boy called Dororin is not good at shapeshifting and is not able to enjoy the carnival. He is left all alone. He clashes with Cream Panda when they first meet, but later on, they strike up a friendship. Together, they venture into the "Forest of Dread" in search of the , which has the world's greatest power of transformation. Baikinman appears there and goes on a rampage, wanting to use the power of the cloak to wreak havoc in the Transformation Carnival. Will Anpanman and his friends be able to protect the merry Transformation Carnival from Baikinman? A great adventure that will make everyone happy is about to begin!
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Shin Masked Rider
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“The things that change, the things that do not change, and the things that I wouldn’t want to change.” Masked Rider Takeshi Hongo is an augmented human being. He was “upgraded” by SHOCKER, a secret society which claims itself to be all-loving, as well as aiming to pursue happiness for humanity. However, Masked Rider discovered SHOCKER’s conspiracy and decided to fight against SHOCKER to ensure human beings stay “human”.
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#Manhole
100 Minutes
Shunsuke Kawamura worked in a real estate company and was always the best of the best when it came to sales. He was going to marry the daughter of the CEO of his company, but then, something unexpected happened… Just before the day of his wedding, he attended a surprise party held by his colleagues and got drunk. On his way home, he accidentally fell into a deep manhole. By the time he woke up, it was already midnight. What was even worse was that his right leg was heavily injured and he could neither contact the police nor find out his current location using GPS. The only person he could contact was his ex-girlfriend, but she did not believe in his words. He started to believe that he might have been set up by someone, so he decided to set up a new Twitter account named “Manhole Girl”, hoping that with the help of the internet, he could locate himself and call out for help. Netizens excitedly assisted him to search for the suspect.
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Ruby Gillman, Teenage Kraken
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Sometimes the hero you are meant to be lies just beneath the surface.

This summer, DreamWorks Animation dives into the turbulent waters of high school with a hilarious, heartfelt action comedy about a shy teenager who discovers that she’s part of a legendary royal lineage of mythical sea krakens and that her destiny, in the depths of the oceans, is bigger than she ever dreamed.

Sweet, awkward 16-year-old Ruby Gillman (Lana Condor, To All the Boys I’ve Loved Before franchise) is desperate to fit in at Oceanside High, but she mostly just feels invisible.

She’s math-tutoring her skater-boy crush (Jaboukie Young-White, Ralph Breaks the Internet), who only seems to admire her for her fractals, and she’s prevented from hanging out with the cool kids at the beach because her over-protective supermom (Oscar® nominee Toni Collette, Knives Out), has forbade Ruby from ever getting in the water.

But when she breaks her mom’s #1 rule, Ruby will discover that she is a direct descendant of the
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Insidious: The Red Door
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In Insidious: The Red Door, the horror franchise’s original cast returns for the final chapter of the Lambert family’s terrifying saga. To put their demons to rest once and for all, Josh (Patrick Wilson) and a college-aged Dalton (Ty Simpkins) must go deeper into The Further than ever before, facing their family’s dark past and a host of new and more horrifying terrors that lurk behind the red door.

The original cast from Insidious is back with Patrick Wilson (also making his directorial debut), Ty Simpkins, Rose Byrne and Andrew Astor. Also starring Sinclair Daniel and Hiam Abbass. Produced by Jason Blum, Oren Peli, James Wan and Leigh Whannell. The screenplay is written by Scott Teems from a story by Leigh Whannell, based on characters created by Leigh Whannell.
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Barbie
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To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.
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Everyphone Everywhere
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Story 1: Chit, a graphic designer who lives on an outlying island in Hong Kong, forgets to bring his phone when he leaves home to head into the city. Unfortunately, he is unable to recall the location of his lunch date with his high school classmates, and it is too late to return home to retrieve it. Feeling lost and defeated, he must find a way to contact his classmates in order to obtain the address of the restaurant.
Story 2: Female executive Ana gets a WhatsApp message from a scam artist; she was originally hostile, but their conversation turns out to be surprisingly simpatico. Through this conversation, she even finds out information about her husband’s infidelities and criminal activities.
Story 3: Raymond, a real estate agent, has his phone hacked, and worries that sensitive information about his business affairs might be leaked, and plans to escape the authorities. At the same time, his daughter tries to scam and ‘catfish’ a computer nerd.
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Gran Turismo
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Based on the true story of Jann Mardenborough, the film is the ultimate wish fulfillment tale of a teenage Gran Turismo player whose gaming skills won a series of Nissan competitions to become an actual professional racecar driver.
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Mozart's Don Giovanni (The MET)
210 Minutes
Tony Award–winning director of Broadway’s A View from the Bridge and West Side Story, Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana Mari?a Marti?nez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.
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Mozart's Die Zauberflöte (The MET)
225 Minutes
One of opera’s most beloved works receives its first new Met staging in 19 years—a daring vision by renowned English director Simon McBurney that The Wall Street Journal declared “the best production I’ve ever witnessed of Mozart’s opera.” Nathalie Stutzmann conducts the Met Orchestra, with the pit raised to make the musicians visible to the audience and allow interaction with the cast. In his Met-debut staging, McBurney lets loose a volley of theatrical flourishes, incorporating projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.
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